Sound Operator of
'Great Expectations'
As the Sound Operator for Great Expectations, I executed 200+ cues following the Stage Manager’s calls and collaborated with the Sound Designer to modify audio files. This role provided mastery of QLab and emphasized the necessity of zero latency and precision. Interacting with the designer clarified the responsibilities and priorities of sound design, which I apply to my own creative projects.
Sound Operator of
'NiNE YEARS'
As the Sound Operator for NiNE YEARS, I managed real-time audio operations and executed complex live cues under the direction of the Stage Manager. This experience solidified my command over show control software like QLab and highlighted the necessity of zero-margin error during a live run. Through active communication with the creative team, I gained a deeper understanding of the vital bridge between a sound designer's intent and its technical execution. I now apply to my own soundscapes.
Audio Engineer of
Office of IT
at Brigham Young University
Working as a Sound Technician at the Office of IT,
I engineered live audio systems and managed signal routing across multiple campus facilities. This position demanded a deep understanding of audio network setups, specifically Dante subnet configurations. Interacting with varied live audio challenges trained me to diagnose and resolve acoustic issues.
